tunes you need Tuesday: Matthew Sweet

Back in 1991, amidst the sea of grunge bands (which I hated) from Seattle that were ever-present on the radio, there was a gem of musician who appeared on my radar and his name was Matthew Sweet.  His music was refreshing and happy and I loved it, and still very much love it.  I remember the half anime/half performance video of his first song, "Girlfriend" and Sweet performing the song on the Regis show, which means it was either a holiday or I was skipping school, who knows.  I bought his first album then and now have his music on my iPod and listen to it often. 

Over the years, Sweet has kept a lower than low profile, but he's still making records and touring.  His last release was Sunshine Lies, from last year and in 2006 he recorded an album of duets from the 60's with Susanna Hoffs of the Bangles.  I love their take on The Beatles "And Your Bird Can Sing."  This past summer they put out an album of covers of 70's duets — how fun is that?  100% fun — that's how much. 

If you're a fan of power-pop or just love good music, I suggest you get his best-of release, Time Capsule, on iTunes right now and put in heavy rotation on your iPod, but for now listen to three of my favorite Sweet tunes. 

"Girlfriend"

 

"You Don't Love Me"

"Time Capsule"

And because I love alternate versions of songs, a fab version of "Girlfriend" from the reissue.  Enjoy.

a little lemonheads for your Friday

Here's a little known Kerry fact for you: I discovered one of my still-favorite bands, The Lemonheads, by way of the now defunct Sassy magazine.  Loved that magazine, but that's another post for another day. 

I've been doing a lot of searching for visual inspiration for the ScrapFest! print materials, but one cannot have visual inspiration without musical inspiration, and this evening I turned to the Lemonheads for said inspiration.  Here are a couple of my favorites from Evan Dando and company. 

My all-time fave, "Confetti."  Love love love this song.

The wonderful "Into Your Arms."

And "It's About Time."  This song has great lyrics like  "patience is like bread I say, I ran out of that yesterday." 

you just want to have a good time (just like everybody else)

I've been in a funky mood and would like to have a do-over for this week, please.

This mood brought me to my Counting Crows playlist and the song "Good Time," which is one of my favorites (my Adam, guitar, and banjo — shut up).  This song is for real.  Love the lyric, "it's no easier for you some days/You wish you could tell him it'll be ok/but you feel a little shy these days/cause everybody goes away."   And of course the best part of the song is the refrain over the last minute of the song, "I really love the red haired girls, I'm just another boy from Texas." 

tunes you need Tuesday: Van Morrison

I love the Van Morrison.  I have since I was a kid, when I discovered my parents’ albums (that are now in my possession) which were a treasure trove of musical goodness of Aretha, Otis Redding, and Morrison.   His Band and the Street Choir was my favorite then and I still love it.  Back then it was all about the voice and the sax, but now I appreciate the subtlety of some of the songs, the lyrics, the genius of a singer/songwriter who makes you feel.  And he hails from Ireland.  A soul singer from Ireland.  Sweet.

Here’s a blurb from Morrison’s Wikipedia:

Van Morrison (George Ivan Morrison, OBE, born 31 August 1945 in Belfast, Northern Ireland) is a critically acclaimed[1][2] singer and songwriter with a reputation for being at once stubborn,[3][4] idiosyncratic,[5] and sublime.[6] His live performances at their best are seen as transcendental and inspired;[7][8] while some of his recordings, such as the studio albums Astral Weeks and Moondance, and the live album It’s Too Late to Stop Now, are acclaimed as among the greatest ever made.

Known as “Van the Man” by his fans, Morrison started his
professional career when, as a young teenager in the late 1950s, he
played a variety of instruments, including the guitar, harmonica,
keyboards, and saxophone, in a range of Irish showbands who covered the popular hits of the day, before rising to prominence in the mid-1960s as the lead singer of the gritty Northern Irish R&B band Them with whom he recorded the garage band classic, “Gloria“. His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single “Brown Eyed Girl” in 1967. After Berns’ death, Warner Bros. Records bought out his contract and allowed him several sessions to record Astral Weeks in 1968.[9] Even though this album would gradually garner high praise, it was initially poorly received; however, the next one, Moondance, established Morrison as a major artist,[10]
and throughout the 1970s he built on his reputation with a series of
critically acclaimed albums and live performances. Morrison continues
to record and tour, producing albums and live performances that sell
well and are generally warmly received; sometimes collaborating with
other artists, such as Georgie Fame and The Chieftains. In 2008 he performed Astral Weeks live for the first time since 1968.

You’ve heard “Brown Eyed Girl” and “Gloria” at least a hundred times, so I thought I’d give you some of my favorites.  

“If I Ever Needed Someone” is a beautiful song that I’ve always liked.  It’s a prayer, it’s desperate, it’s honest, and it’s just a magnificent song.  

If I Ever Needed Someone (LP Version) – Van Morrison

Next is “Gypsy Queen.” It’s the only song that I know of that mentions a carburetor.

Gypsy Queen ( LP Version) – Van Morrison

“Into the Mystic” is a definite favorite. It should be required listening for everyone, especially those growing up with the Disneyfication of music these days. The title is perfect and sounds like a book I’d like to read, if it were a book.

Into The Mystic – VAN MORRISON

Next is an odd one. “Crazy Face” has lyrics that sound like something you would dream.

All the people were waiting for Crazy Face
He said he’d meet them at his favourite place
Dressed in black satin, white linen and lace
With his head held high and a smile on his face
And he said:
‘Ladies and gentlemen, the prince is late’
As he stood outside the church-yard gate
And polished up on his .38
And said:
‘I got it from Jesse James’

See? I told you. It reminds me a lot of Counting Crows lyrics. You know I love that.

Crazy Face (LP Version) – Van Morrison

Finally, because I know it’s bound to be a sad fact that many of you have never heard the man sing the original, here’s “Wild Night.”

Wild Night – Van Morrison

80’s Sunday rewind: Pet Shop Boys

This post has been a long time coming.  I've finally found LOTS of decent quality videos that allow embedding.  So, the 80's Sunday Rewind is jam packed full for you today.  Yippee. 

The Pet Shop Boys have been one of my favorite bands since 1986.  Please was one of the first albums I bought, then Disco,  Actually, Introspective, Behaviour, and the other one-word albums that followed.  It's always been interesting to me to grow up with a band.  There are several bands I feel that way about, Pet Shop Boys being one of them, one that I've been a fan of since their first album.  And being been a fan for so long, I couldn't tell you what it is exactly that hooked me.  I loved the synth pop then, the almost spoken word style of singing Neil Tennant is now known for, the full sound of their songs, thoughtful lyrics — there are so many things to love about PSB. 

I thought I'd give you my favorite of their 80's tunes as well as two 80's leftovers from '90 and '91, one of which is "Being Boring," which I can't say enough good things about.  I love a literary song.  "Being Boring" references Zelda Fitzgerald and her quote, “…she covered her face with powder and paint because she didn’t need
it and she refused to be bored chiefly because she wasn’t boring. She
was conscious that the things she did were the things she had always
wanted to do.”  Love that.  PSB said the song is about the ideals you have when you're young and about growing up, and the lyrics reflect that.  My favorite lines have always been:

Now I sit with different faces
In rented rooms and foreign places
All the people I was kissing
Some are here and some are missing
In the nineteen-nineties
I never dreamt that I would get to be
The creature that I always meant to be
But I thought in spite of dreams
Youd be sitting somewhere here with me

That's good stuff. 

First up is the first PSB single, "West Eng Girls," then "Love Comes Quickly," followed by the capitalist theme song "Opportunities (Let's Make Lots of Money)." One of the greats, Dusty Springfield joins PSB on "What Have I Done To Deserve This," then our 80's leftovers, "Being Boring" and "Jealousy" round out the videos today. "Jealousy" is wonderfully orchestral and the vid features a fabulous fight scene at the end — such a good video from that era. So, enjoy my Pet Shop Boys today, it's good times. 

Music Videos by VideoCure

Music Videos by VideoCure

Music Videos by VideoCure

Music Videos by VideoCure

tunes you need Tuesday: yacht rock

So, I've been watching Late Night with Jimmy Fallon and he's been talking about Yacht Rock for a week.

If you're not familiar with Yacht Rock, here's part of the Wikipedia entry:

"Yacht rock" is a name[6][7] for the popular soft rock that peaked between the years of 1975 and 1984. Significant "yacht rockers" include Michael McDonald, Kenny Loggins, Christopher Cross,Goldstar and Toto. In the musical sense, yacht rock refers to the highly polished brand of soft rock that emanated from Southern California during the late 1970s and early 1980s. In part, the term relates to the stereotype of the yuppie yacht owner, enjoying cocaine
and smooth music while out for a sail. Additionally, since sailing was
a popular leisure activity in Southern California, many "yacht rockers"
made nautical references in their lyrics, videos, and album artwork,
particularly the anthemic track "Sailing" by Christopher Cross. Yacht Rock music is commonly described as, "A little bit better than elevator music!"

Genius name for the genre.  Love it. 

Have I ever told y'all how much my hubs LOVES Christopher Cross?  I know I've discussed the hubs' "taste in music" on the blog before, but really, y'all have no idea.  His iPod on shuffle goes like this: Christopher Cross, Willie Nelson, Journey, Billy Joel, Garth Brooks, Alison Krauss, Phil Collins, Barry Manilow, The Judds, Toto, Michael Buble, lots of Abba and COMPLETELY random '80s songs.  On the rare occasion when we're together in a car long enough, after a max of three songs on shuffle, I will yell "JUST SHOOT ME IN THE DAMN FACE!"  I'm SO not kidding.  On the Orange Beach trip, I put my earbuds in after Willie Nelson's version of "Always on my Mind" was followed by "Never Gonna Give You Up" and I yelled "JUST SHOOT ME IN THE DAMN FACE ALREADY!"  Oh yes, I did.   For real.  I'm a great road trip companion — ask any of my friends, but not with the hubs.  

So, this Tunes Tuesday is for the hubs, who will be getting a captain's hat, sunglasses, and an ascot for Christmas so he can jam in proper attire to his Yacht Rock music.  He's not getting the yacht.

80’s Sunday rewind: New Order

It's a gray day here in southeast Louisiana and you know what that means.  That's right, post-punk 80's to get me going this morning.  Today it's New Order. 

The following is part of the Wikipedia entry on New Order:

New Order were an English musical group formed in 1980 by Bernard Sumner (vocals, guitars, synthesizers), Peter Hook (bass, backing vocals, electronic drums) and Stephen Morris (drums, synthesizers). New Order were formed in the wake of the demise of their previous group Joy Division, following the suicide of vocalist Ian Curtis. They were soon joined by additional keyboardist Gillian Gilbert.

New Order combined post-punk and electronic dance, and became one of the most critically acclaimed bands of the 1980s.[2]
Though New Order's early years were shadowed by the legacy of Joy
Division, their immersion in the New York City club scene of the early
1980s introduced them to dance music. The band's 1983 hit "Blue Monday" saw them fully embrace dance music and synthesized instruments, and is the best-selling 12-inch single of all time.[3] New Order were the flagship band for Factory Records,
and their minimalist album sleeves and non-image reflected the label's
aesthetic of doing whatever the relevant parties wanted to do,
including an aversion to including singles as album tracks. The band
has often been acclaimed by fans, critics and other musicians as a
highly influential force in the alternative rock and dance music scenes over the past 25 years.

New Order were on hiatus between 1993 and 1998, during which time
the members participated in various side-projects. The band reconvened
in 1998, and in 2001 released Get Ready, their first album in eight years. In 2005, Phil Cunningham (guitars, synthesizers) replaced Gilbert, who had left the group due to family commitments.

So, there ya go — that's New Order in a nutshell.  They pretty much ruled. 

New Order also produced some of the most innovative music videos of the era.  You did know there would be videos, didn't you?

And from my favorite movie evah, Pretty in Pink, it's "Shell Shock" and "Thieves Like Us." Love love love these two songs.  "Shell Shock" is a great bitter break-up song.  You'll remember "Thieves Like Us" as the instrumental in the montage in which Molly Ringwald's character is sewing her prom dress (the 80's montage from which all other montages are judged).  Pure 80's goodness, people.  Enjoy.

fun with music

Y’all know how I love the music.  While I love the music, I haven’t played an instrument since the violin years ago and I don’t expect to be taking up that again any time soon.  But I’ve found a site called inudge.net where my mouse and I can make beautiful music together (and you can too). 

I call this song “PMS Sucks and I Love Iced Tea.”  You see, my music comes from what I’m feeling at the moment.

http://embed.inudge.net/nudge.swf

80’s Sunday rewind: Eurythmics edition

The Eurythmics have been on my list of bands for the 80's Sunday Rewind for a while (yes, I have an actual list in one of my various notebooks) and I decided this was the Sunday to feature their videos after my rain post from Wednesday. 

You see, it is simply this: the Eurythmics were the 80's.  I'll explain.  When the Eurythmics released their first U.S. #1 hit, "Sweet Dreams (Are Made of This)" in 1984, they were as synth-pop as you get. 

http://media.mtvnservices.com/mgid:uma:video:mtv.com:59155

25 years later and I still don't know what the cows were about.  I've never had sweet dreams about a cow. 

Anyway, around the same time they released a really good song you may not know unless you had the  Sweet Dreams album.  Here's "Love is a Stranger."

http://media.mtvnservices.com/mgid:uma:video:mtv.com:59154

So, the Eurythmics pretty much cemented themselves as a synth-pop band with those songs and "Here Comes the Rain Again," then they went a reinvented their sound with 1985's Be Yourself Tonight and were straight up rock and roll with an awesome R&B sound.  Crazy, right?  Yeah, but it worked.  The big hit off that album was "Would I Lie to You," which happens to be my favorite Eurythmics song (and convinced me that I needed to be a back-up singer).

http://media.mtvnservices.com/mgid:uma:video:mtv.com:54889

But they didn't stop with that song, no, they went and did a duet with my hero, Aretha Franklin. 

http://media.mtvnservices.com/mgid:uma:video:mtv.com:54885

The Eurythmics made a few more albums together before their hiatus and ventures into solo work.  It's only fitting that they closed out the decade with their last album (pre-reunion), 1989's We Too Are One, which gave us a glimpse of what to expect from Dave Stewart, Annie Lennox's partner in the band, who is pretty amazing.  For more on Stewart, go read my friend Will's blog for some Dave Stewart edumacation.  I'll leave you with "Baby's Gonna Cry," in which we hear Stewart sing (imagine that) and look like a cool rock star — shut up, that red suit is awesome.   

http://media.mtvnservices.com/mgid:uma:video:mtv.com:54880